"Pureum Jo was riveting in her ecstatic despair.
You could take neither your eyes nor your ears off her." (Opera News)
"Soprano Pureum Jo, in a performance of tireless, crystalline grace" (San Francisco Chronicle)
Soprano Pureum Jo is a mesmerizing Dai Yu... was magnetic as the ethereal Dai Yu (The Mercury News)
Pureum Jo brought a pure soaring soprano to Dai Yu (Wall Street Journal)
"The beautiful and slender soprano possesses a finely focused voice of dream-like purity. Intentionally touching her initial highs softly, only to expand them like the sun gradually rising above the horizon to full light, she at one point soared in unison with Yijie to a full-voiced, passionate high B" (Classical Voice North America)
"Pureum Jo was a standout in both the aria and the performance... she is in the early years of a major career as a lyric soprano" (Opera Warhorses)
Her tone and presence described as “riveting,” “mesmerizing,” and “ravishing” by Opera News, the New York Times, and Time Out New York, soprano Pureum Jo is an alumna of Houston Grand Opera’s Studio Program, where she captivated audiences as Pamina and Papagena in Die Zauberflote, and Barbarina in Le nozze di Figaro. Equally at home in contemporary music, Ms. Jo appeared with the company as the Rose in Rachel Portman and Nicholas Wright’s The Little Prince, Becca in the world premiere of Gregory Spears and Royce Vavrek’s O Columbia, and as Miss Frayne in the latest world premiere by the legendary Carlisle Floyd, Prince of Players. In the 2016-2017 season, she makes her San Francisco Opera debut in the company’s latest commission as Dai Yu in the world premiere of Bright Sheng’s Dream of the Red Chamber, which will also travel to the Hong Kong Music Festival in the Spring. Additional performances include her fourth appearance with New York City’s Voices of Ascension in performance of Mozart’s Exsultate Jubilate and Haydn’s Lord Nelson Mass, her debut with Sarasota Orchesta in performances of Mozart’s Requiem, and as Pamina with Opera Naples under the baton of Music Director Ramon Tebar.
Ms. Jo appeared in the title role in Toshio Hosokawa’s Matsukaze with the Lincoln Center Festival and the Spoleto Festival U.S.A., a performance for which Opera News wrote, “You could take neither your eyes nor your ears off her.” She recently sang with the Baltimore Symphony Orchestra as Zerlina in Don Giovanni, and made her San Francisco Symphony debut in their 16th annual Chinese New Year Concert. She has performed regularly at the Aspen Music Festival as Juliette in Roméo et Juliette, Micaëla in Carmen, the High Priestess in Aida, and most recently as Musetta in La bohème. Other roles include Blanche in Dialogues des Carmélites, Fraarte in Radamisto, and Sandrina in La finta giardiniera.
An accomplished concert soloist and recitalist, Ms. Jo has appeared in recital with Houston Grand Opera, Alice Tully Hall, and the Aspen Music Festival. She sang in “A Concert of Comic Operas,” co-presented by The Metropolitan Opera and the Juilliard School and conducted by James Levine, and was the soprano soloist in Mozart’s Requiem Mass and Coronation Mass, Haydn’s Mass in Time of War, and in a concert of Mozart and Mendelssohn oratorio arias with New York City’s Voices of Ascension. Additionally, she has performed at Carnegie Hall in Marilyn Horne’s The Song Continues. Originally from South Korea, Ms. Jo holds two degrees from the Juilliard School.